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"[Bartok] produced a knotty Sonata for Solo Violin that has always posed problems for performers and listeners alike. Hanna Lachert, a violinist with the New York Philharmonic, conquers them all with ease. Without ever sacrificing a focused tone of singular beauty and depth, she sustains the high-tension linearity of all four movements articulates the notes with biting precision and still manages to project the essential lyricism of the music."
     — The New York Times

"Une très belle version de la Sonate de Bartok Très à l'aise dans les périleuses difficultés de l'œuvre, dont elle gomme peut-être le caractére parfois abrupt et rocailleux; elle en donne une interpretation trés rafinée, et introvertie."
     — Le Soir, Brussels

"...His music could hardly have a more eloquent proponent than the lovely young Polish violinist, who plays Szymanowski with an insight and technical expertise which seems complete."
     — H. Roger Smith Co., Philadelphia

"Szymanowski concertos pleasing on late vintage violin: ...a big, bold performance...superlatively played and recorded."
     — The New Haven Register

"On this recording the young lady turns in fluent, invigorating performances of the two innovative violin concertos of her country man Karol Szymanowski... a gifted artist, her handling of these works, including the electrifying cadenza, is more than commendable, and the orchestra gives bold and convincing support to her efforts."
     — The Chattanooga Times

"...thoroughly musical, firm-toned performances with considerable intensity of expression."
     — The Strad, London (Music of Szymanowski)

"...perfectly controlled yet vividly imagined reading of the Penderecki. The furious, dashing spiccato of the caprice-like Allegretto scherzando has real brilliance, while the darker musings of the lengthy Nottorno are beautifully paced, described with a broad, sweeping tone. "
     — The Strad, London

"Hanna Lachert joue ces œuvres avec une précision incisive, une grande beauté de timbre et beaucoup de sensibilité." ["Hanna Lachert plays with an incisive precision, great beauty of tone and lots of sensibility."]
     — Le Soir, Brussels

"...wysokiej klasy rzemiosło i techniczne zaawansowanie, gra dzwiękiem pewnym i ekspresywnym, w którym ponadto wyczuwa sie liryzm o iście słowiańskich korzeniach. Koncerty skrzypcowe Karłowicza i Dworzaka... Lachert gra w sposób naturalny i z wyrazem, posługując się bogatą paletą odcieni artykulacyjnych i brzmieniowych. Właśnie jakość brzmienia jest tu uderzająca, skrzypaczka potrafi bowiem wyeksponować efektowne elementy techniki skrzypcowej bez jednoczesnego popadania w zbyteczny patos, wirtuozerstwo pozostaje na usługach ekspresji."
     — Nowy Dziennik, New York

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